Best Sound System For Dance Studio – The Pioneer DJ VM-50 active studio monitors help you find space in your mix without forcing you to find a lot of space at home. Marcus Rovito

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Best Sound System For Dance Studio

Ask any club or festival DJ if they are familiar with the Pioneer DJ brand, and the answer will almost certainly be yes. Pioneer CDJ digital media players have become as ubiquitous as turntables in DJ booths everywhere and are often accompanied by other Pioneer DJ equipment including mixers and controllers. Pioneer DJ now has studio monitors to complement its other gear including headphones, PA speakers, samplers and synthesizers for music production. Pioneer DJ’s newest active speakers include the Pioneer DJ VM-50 ($169 each, with a 5.25-inch woofer), the VM-70 ($229 each, with a 6.5-inch woofer), and the VM-80 ( $289 each, with an 8-inch woofer). They are worthy candidates for your home music production and/or DJ setup, but it would take something very special to become as essential as the CDJs found in the world. Let’s see if the Pioneer DJ VM-50 can perform in a market as crowded as a crowded dance floor on a Saturday night.

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Pioneer DJ’s VM series is a pro-focused range that includes the VM-50 studio monitor and RM-05 5-inch studio monitor, as well as the DM-40 and DM-40BT (a Bluetooth-enabled model) 4-inch desktop speakers. The VM series are powered speakers, which means they don’t need an external amplifier, just a clean power source for the built-in Class D amplifier, which promises a frequency response from 40Hz to 36kHz.

Every monitor in the VM series has identical specifications except for size and audio output power. The VM-50, also available in white, offers 60W of total power from its bi-amped configuration: 30W for the low-frequency driver (woofer) and 30W for the high-frequency driver (tweeter). It also has a maximum output of 107 dB. In comparison, the VM-70 has an output of 100W and 112 dB, while the VM-80 delivers 120W and 115 dB.

Those differences in power come with corresponding differences in physical size, so the VM-50 is significantly smaller and lighter than other monitors in the VM series. The VM-50 weighs over 12 pounds, measures approximately 12H x 8W x 10D inches. Meanwhile, the VM-70 weighs about 17 pounds with approximate dimensions of 13H x 9W x 12D inches, and the VM-80 weighs more than 22 pounds with approximate dimensions of 16H x 11W x 13D inches.

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Overall, the VM-50 looks similar to comparable studio monitors. You’ll be disappointed if you expect much from a studio monitor beyond a black (or brown, maybe white) rectangle. But some design elements differ from others and may or may not affect the speaker’s sound. Immediately noticeable, a rectangular, hexagonal front deflector in 4 mm thick brushed aluminum characterizes the VM-50’s appearance. Pioneer DJ claims the baffle helps suppress vibrations and echoes to recreate authentic sound.

Most studio monitors have some type of airflow tube to help reproduce low frequencies. Some popular monitor lines, such as the KRK Rokit and Kali Audio LP, have ports on the front. In contrast, many others, including the VM-50, have ports on the back (in this case, located above the connection and control panels). Pioneer DJ calls its variation of this port the Vortex Bass Accelerator and claims its free-flowing airflow keeps the bass punchy and free of unwanted vibrations and distortion. It’s important to remember that when you have a speaker with a rear port, you don’t want to place the speakers too close to the wall, or you’ll experience boominess.

One last difference is also unusual among VM-50 studio monitors. The “fixed direction horn” edges of the soft dome tweeter and the aramid fiber woofer cone have the same width. Pioneer DJ claims this sleek design will “allow for smooth frequency crossover and natural sound.” The results of my listening tests found a flat frequency response and wide sound field consistent with that claim, whether or not it had anything to do with that particular design element.

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Each VM-50 monitor includes a standard three-prong AC power cable. For connecting audio sources, you have a balanced combo input for XLR or TRS (¼-inch) cables and an unbalanced input for RCA cables. Having inputs for all three types of cables should be a standard monitor feature, but a surprising number of studio monitors forgo an RCA or TRS connection, so that’s a plus for the VM-50.

Once everything is connected and powered, the VM-50 offers 96kHz internal digital signal processing for low and high frequencies. These EQ settings are intended to compensate for speaker placement in the room, room reverberation, or personal preference. Low EQ settings are Room 1, Flat, Room 2, and Club Bass (offering a bump at 50Hz), while similar high EQ settings include Room 1, Flat, Room 2, and Bright Treble (4kHz and 8kHz regions to take into account) are included. These settings apply different frequency boost, or gain, settings, and the low and high settings include an attenuation curve, a neutral setting, a heavy boost curve, and a thin boost curve. Note that precision, digital filters can’t be bypassed, but there’s no limit in the signal chain, and the flat parameters aren’t too sculptural—plus, the flexibility of tone control is great because there’s no room or single ear. are not The VM-50 manual provides more information on determining which settings are best for your setup.

To test a pair of VM-50 monitors, I used them to DJ a set of some of my favorite dance music and classic 80s dance tunes from 2021, and I used them to monitor my actual music production. done to I also listen to many hip-hop artists from the 2000s such as T.I. and Outkast, 2010s electronic acts such as The Glitch Mob and Deadmau5, and new indie-pop such as Bombay Cycle Club and Grimes. Playback took place in an open loft space that I regularly use for live DJing and playing electronic music. I fed these tracks from my laptop to a Pioneer DJ DDJ-400 rekordbox controller I already had. I also compared the VM-50 to several other pairs of monitors, both larger and smaller than the VM-50: the Adam Audio T8V 8-inch monitor, the KRK Rokit 6 6-inch monitor, and Pioneer DJ’s DM-40BT 4-in. monitor

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With studio monitors, the “sweet spot” where you’re listening—the focal point between the speakers where the stereo mixes just right—is very important. The VM-50 creates a wonderful triangle where mid-range frequencies—like some vocals, guitars, and synthesizers—sound crisp, clear, and detailed, and high-end sounds are crisp, but not harsh (which manifests in some monitors such as the Yamaha HS series). The “Bright Treble” EQ setting on the VM-50 created really crackly elements in some songs, but the Flat setting for High EQ sounds about right for most occasions.

Not surprisingly, the larger Rokit 6 and T8V monitors are significantly lower than the VM-50, even with Pioneer DJ’s “Club Bass” EQ setting. But it has to be experienced because, with a smaller 5.25-inch woofer, the VM-50 can’t physically push air to achieve the same bass response as larger monitors. The Rokit 6s is also known to have a bassy bias, and both the Rokit 6s and the T8V have a lower frequency response and more power allocated to their woofer than the VM-50 woofer’s 30W. The VM-50’s bass was clear and accurate, but not as punchy as some.

That said, listening to bass-heavy music with vocals, like 2000s-era trap on the VM-50s, was a great experience because the vocals sound so distinct, and even details like claps are finely detailed. Low-end elements such as kick drums and bass lines still carry through the mix, reproducing the full image of the source material with excellent separation of frequency ranges and a very well-defined stereo image.

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This is especially important when you are DJing and mixing elements of two or more songs. In those moments, the VM-50 made it easy to hear a clear representation of how the different parts of each track fit together. But if you’re like me—in that you like the bass to make a little rumble in your chest—the low-frequency drivers of both the VM-70 and VM-80 have progressively lower frequency responses and higher wattage, this For they can be. If you have the space and budget for them then be the better option.

Compared to the smaller DM-40BT monitors, the VM-50 has a very similar sound, but puts in a much higher relative volume. With 107 dB peak sound, the VM-50s can be too loud for your ears to handle; However, somewhere in the upper end of their volume range, they suffer some distortion when cranking, so very high volume levels are not ideal for when accuracy is critical. Again, if you really need to monitor music at high levels for extended periods of time (if your monitors are in a DJ booth actively competing with a PA system, for example), go for

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